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However "after-hours" clubs, as well as large outdoor events, create a similar type of alternate atmosphere, but focus much more on vibrant visual effects, such as props and décor.

In more recent years, large commercial events are held at the same locations year after year with similar reoccurring themes every year.

Activities were related to the party atmosphere of Ibiza, a Mediterranean island in Spain, frequented by British, Italian, Greek, Irish and German youth on vacation, who would hold raves and dance parties.

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Prior to the commercialization of the rave scene, when large legal venues became the norm for these events, the location of the rave was kept secret until the night of the event, usually being communicated through answering machine messages, mobile messaging, secret flyers, and websites.

This level of secrecy, necessary for avoiding any interference by the police, on account of the illicit drug use, enabled the ravers to use locations they could stay in for ten hours at a time.

The perception of the word "rave" changed again in the late 1980s when the term was revived and adopted by a new youth culture, possibly inspired by the use of the term in Jamaica.

In the mid to late 1980s, a wave of psychedelic and other electronic dance music, most notably acid house music, emerged from acid house music parties in the mid-to-late 1980s in the Chicago area in the United States.

The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.

While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events featuring multiple DJs and dance areas (e.g., the Castlemorton Common Festival in 1992).

Some electronic dance music festivals have features of raves, but on a larger, often commercial scale.

Raves may last for a long time, with some events continuing for twenty-four hours, and lasting all through the night.

It promoted the sense of deviance and removal from social control.

In the 2000s, this level of secrecy still exists in the underground rave scene.

within clubs, warehouses and free-parties, first in Manchester in the mid-1980s and then later in London.

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