Dating fender vibro champ blackface Sec chats

The speakers we review here are mostly conservative alternatives from a Fender perspective.

We prefer speaker models who sound close to the originals that came in these amps.

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We recommend to choose low power speakers rather than high power.

A low power handling means a smaller and lighter magnet and voice coil, lighter cone, less doping, less vibration and movement and more stiffness overall.

In such cases we tend to favor British voiced speakers to give us a throaty and meaty tone where the treble is tamed and compensated for.

Such speakers may not be well suited for crystal clear and soft clean tones, but they match perfectly with our blackface AB165 Bassman with jumped channels and lots of preamp and power amp distortion.

We use it to describe a “natural” tone, meaning a relatively flat frequency response.

Speakers can have different frequency response depending on materials and construction design, like cone shape, magnet weight and coil size.

Also, the aging process of these materials will change a speaker’s tone over time.

New speakers will therefore sound different from vintage speakers.

A good example is a single coil strat or tele played with the bridge pickup through a cranked blackface Bassman (AB165).

The amp has a huge bottom end and a slightly edgy Fender 6L6 push-pull (class AB) cranked tone. Another example is a bright jazzmaster with bridge and neck pickup combined for some jangly surf tone, through a big clean amp like a Pro Reverb, Super Reverb or Twin Reverb with lots of reverb.

Keeping the original speakers intact is important for the amps’ second hand value.

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