World accommodating religious movements romantic one year dating anniversary ideas

Twentieth-century aesthetic modernism took diverse forms such as surrealism, dadaism, cubism, expressionism, and primitivism.These forms were apparently immediate reactions to the Victorian values such as bourgeois domesticity, duty, work, decorum, referentiality, utilitarianism, industry, and realism.Since its beginning, this Enlightenment tradition has a long history of philosophical, cultural, social and political development until most of the twentieth century, much longer and older than twentieth-century aesthetic modernism, and it is quite often called "modernity." This "modernity" tradition of the Enlightenment stressed the importance of the rational human self, objective truth or law, order, progress, etc., and it was behind most of the nineteenth century traditions.

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In 1939, British historian Arnold Toynbee adopted the term with an entirely different meaning: the end of the "modern" Western bourgeois order of the last two- or three-hundred-year period.

In 1945, Australian art historian Bernard Smith took up the term to suggest a movement of social realism in painting beyond abstraction.

No consensus obtains on what postmodernism really means." The historical origins of the term lead back at least to English painter John Watkins Chapman, who was probably the first to use the term "postmodernism." He used it in the 1870s to simply mean what is today understood to be post-impressionism.

In 1934, Spaniard Federico de Onis used the word postmodernismo as a reaction against modernist poetry.

The notion that human beings were driven by the same impulses as "lower animals" proved to be difficult to reconcile with the idea of an ennobling spirituality.

Marx seemed to present a political version of the same proposition: that problems with the economic order were not transient, the result of specific wrongdoers or temporary conditions, but were fundamentally contradictions within the "capitalist" system.Theorists such as David Lyon and Mary Klages have made this distinction between the two facets of modernism, and also a resultant distinction between two senses of postmodernism as well.Modernism was a series of aesthetic movements of wild experimentation in visual arts, music, literature, drama, and architecture in the first half of the twentieth century.In the 1950s in America, Charles Olson used the term in poetry.Only in the 1960s and 1970s was the term more popularized through theorists such as Leslie Fielder and Ihab Hassan.Of course, against this premodern type of religious dogmatism, there was another, religiously more profound, reaction in the eighteenth century, expressing itself in Pietism and John Wesley's Methodism.

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